Spanish · Poem
En la pantalla, películas sin color
Listed by its first line
En la pantalla, películas sin color. Al salir, la ciudad seguía en gris.
Read the poemPoetry & fiction
Poems and passages from fiction, in their original languages.
Original text
Spanish · Poem
Listed by its first line
En la pantalla, películas sin color. Al salir, la ciudad seguía en gris.
Read the poemLatin · Elegiac couplet
Listed by its first line
Sī fāta adfuerint, ūnō sub sōle vagēmur; sīn ea fāta negant, ūnus amor satis est.
Read the poemFiction · English
Act I: Blood. Selected passages from an unpublished working manuscript.
Selected passages. These are excerpts, not complete chapters.
01 / Excerpt · Unpublished working manuscript
The narrator describes the coordinated preparations of servants, spectators, and condemned fighters before the games.
This was Rome’s oldest art: to make unequal things move as though they had chosen the same music.For You, I Seek the Rudis · Act I — Blood · Prologue · p. 2
02 / Excerpt · Unpublished working manuscript
Before entering the arena, the condemned man asks to finish repairing a bench.
He had spent an afternoon in the store once, holding a board while a joiner worked it. There had been a strip of shade by the door and a smell of cut wood. At the end they had sat on what they had repaired. He wanted the bench finished. He wanted to sit there again while someone else was called to the yard.For You, I Seek the Rudis · Act I — Blood · I. The Sand · p. 4
03 / Excerpt · Unpublished working manuscript
During the fight, the condemned man has seen a woman looking at his face rather than at his wound. Her concern unsettles the detachment that usually lets him endure violence.
He knew what to do with iron. Turn, brace, shorten the breath. The gaze gave him no instruction. It made the wound his.For You, I Seek the Rudis · Act I — Blood · I. The Sand · p. 10